Surname 3 
 
During the first periods of the classical art, which is said to have begun from the middle 5th 
century BC, the Greeks that were in the art industry, majorly those who were doing sculpture 
work, contributing to the resolution of many problems that faced the Greek artists in the archaic 
age. Due to the advancement in the artworks within the industry, artists had already learned how 
to present the form of human beings in a manner that was and is still to date considered as 
naturalistic while in action or while at rest. During this period, artists majorly focused on making 
and portraying gods owing to the account that the territory was dominated by the worship of the 
gods. Interestingly, despite the Greek community during this period believing that their gods 
were like human beings, they further believed that the gods were more beautiful and grander than 
the normal human being. As result of the belief, the artists made their works within the context 
of ideal beauty compared to the human beauty. During this period the sculptures that were made 
contributed to the achievement of a perfection that was regarded as godlike in their calm, under 
which they ordered beauty (Honour and Fleming, p45).  
One of the features of the Greek culture is that they had a great and more beautiful marble which 
they used freely in the temples and also in their temples. However, the Greeks were not happy 
with the whiteness of the sculptures, despite their prominence in terms of being painted in the 
most conspicuous buildings and statutes. Despite the account that they did not like the whiteness 
of these sculptures, some of them have been preserved today in the archives as some the Greek 
culture. It should be noted that sculptures may weather thereby losing its original paint. 
Therefore, some of the sculptures that were made during this time and had been preserved have 
lost their original paint. As a result, parrhasius, Apelles, and Zexius, who are known great 
painters during the 4th BC were considered as the greatest colorists. Polygnotus, on the other 
hand, was considered as the great draftsman (Honour and Fleming, P22).