Surname 2
There is a happy ending (a characteristic of fairy tales according to Donald), though a
twisted one. Despite the struggles with the Beast, everybody rescued, including Belle reunites with
the rest of the villagers. Surprisingly, Maurice and Belle get out of bondage by choosing their way.
The Magician—who we realize has been the magician all this time—comes out to pick the rose in
the final moment.
The development of the plot in such an innovative style and the deep characterization of
the characters, as well as heightening their roles as compared to the animation serve to win the
audience’s hearts easily and make the story more realistic and enjoyable. This is line with Donald
Haase’s view of fairy tales—that they should conform to the lives of people.
Donald Haase suggests that the narrative trajectory of a fairy tale is an essential central part
of their very being. The innovative shifting indicated is ideological because this new version fixes
the plot holes within the animated version.
The potential audience comprising people of all ages or those adoring the animated Beauty
and the Beast will be appropriate for this particular work. From Donald’s theoretical work, fairy
tales allude to great hopes; contain fantasy of happiness and present social paradigms which
overlap with better life daydreams.
The tale employs gender balance. He suggests that the commitment of Belle--heroine—to
the Beast is nearly as much closer to saving the cursed workers of the enthralled castle since it is
almost drowning in love. Her Beauty is more of a rescuer because she serves as a tool for breaking
a curse. This is in line with Donald’s work which shows how feminists directed critical concern
on the fairytales to break the spell which had charmed readers over centuries.
