Chinese oil paints

Chinese oil paints
Majority of the painters are often stuck between choosing the type of paint to make their
painting adorable and exquisite. In the past, the painters had to struggle with the choices of color.
However, when it came to the fifteenth century, painters in the northern parts of Europe
introduced to oil painting. As the times have progressed, artists keep on expanding their
experimentation in the use of oil painting. A crucial distinguishing factor of the oil paints is that
they are made up of three major components, which include the pigment, the solvent as well as
the binder. China began the art of oil paints in the twentieth century when the Trans culture
acceptance stated, and westernization got its root within China. This wave made China drop their
traditional painting (Wiseman et al 28).
When one takes a keen look at the hotel industries, it may be stunning that the very same
oil paint may be present in different sections or rooms in the facility. One may be left to wonder
how such a possibility occurs. However, the Chinese have mastered the art of reproducing oil
paints; in fact, it is done in one famous villager in China, Dafen. Besides, it is legal in the china
to make copies because the Chinese law states that any piece of art loses the copyright after fifty
years. Therefore, it is possible to have more than ten copies of an oil paint, for example, that of
Mona Lisa, at a meager price. In China, there is a growing wave of oil painting being studied in
various schools. In addition, many Chinese industries produce the paint. The ever-increasing
trend of the Chinese oil paints has left many worried because oil paints can significantly be used
on different surfaces, such as wood and canvas (‘China's art village feels global shift).
Shockingly, in the past five years, an individual wave of counterfeits has developed in
China. Many fake oil paints are perfectly counterfeited, that it remains hard to tell the difference
from the original copies. These phony oil paints are circulating on the websites that can be traced
back to China. When it comes to the policy of the copyrighters of the paints, it is not so bright
since the Chinese have all the products readily available and are in a different geographical
jurisdiction (Hays).
On the other hand, there are genuine Chinese oil paints that have formed part of tourist
attraction and desire to paint using oil-based paints. Dafen village, for example, in the past five
years had an estimate of 5,000 painting artists who would develop cheap, exquisite copies of the
western paintings. Recently, there has been a shift in the market because the Chinese have
developed a love for their oil paints and this has slowed the international trade in the paints.
Research reveals that most westerners prefer the copies of the classical paintings, which have
dull colors, which are the direct opposite of what the Chinese want, the bright colors (Hays).
In conclusion, the wave of oil paints use in China is so high that is may ultimately be
unstoppable. More Chinese are continually training in the art of oil painting. As much as there
are other fake oil paint paintings that some Chinese use to get rich quickly, a majority of the
pictures have gained acceptance within China. Besides, Chinese oil paint market is creating a
global scare because of pricing and the change in the pattern of painting that is slowly doing
away with the classical arts (Wiseman et al 28).
Work cited
BBC News. (2017). China's art village feels global shift. [Online] Available at: [Accessed 14 Dec. 2017].
Hays, J. (2017). CHINESE ART IN THE 20TH CENTURY | Facts and Details. [Online] Available at: [Accessed 14 Dec. 2017].
Wiseman, Mary B, and Yuedi Liu. Subversive Strategies in Contemporary Chinese Art. Leiden:
Brill, 2011. Print.

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