DIVERSITY IN SOUTHEAST ASIA 3
holds conferences with an intention of ensuring the local language is embraced at large. Major
religions encompassed by people in Southeast Asia include Hinduism, Animism, Islam,
Confucianism, Buddhism and Christianity (Sandy’s Geography, 2015). The oldest religion is
Hinduism which originated from India and took course in the South. However, few of them exist
today in Southeast Asia. Islam spread slowly but it presently has the majority of people. Their
presence is characterized by Muslim schooling systems in Indonesia, Brunei and Malaysia.
Christianity is also a major religion since its arrival in the 1500s. Catholicism is a major religion
in East Timor and the Philippines. Buddhism on the other hand takes on Laos, Thailand and
Burma.
Similar to religion, there are many ethnic groups categorized on the basis of the peoples’
localities. Some of the groups include Burman, Khmer, Tibeto-Burman, and Shan, Naga, Mon,
Lao, Javanese, Chin, Karen and many others. The blend of ethnic backgrounds is made more
diverse with the inclusion of Arabs, Chinese and Indians as foreign immigrant groups. The
groups have played a role in introducing other cultures in the region, influencing the spread of
their religion and language. Art exists in diverse forms in Asia (Singh, n.d). Conventionally, each
ethnic group had their own exceptional artistic styles. The artistic forms became revolutionized
in the course of time after the expansion of Indian commerce southwards. It first reached out to
areas in the mainland before traveling to insular regions. Aside from the diverse ethnic groups,
religious art took course in most nations from the 9
th
to the 15th century. Trade played a central
role in influencing the change by sharing the Hindu and Buddhist arts from the North and Islamic
art from the East. European artistic forms came into perspective from Netherlands and Portugal
in the later years. In consideration of the fact that the Asian art had taken root in the Eastern
traditions, the European art forms did not have a negative effect on the Southeast Asian art.