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when she talks of her resurrection. Henceforth, apart from death, Plath presents some hope of
eternal life to her audience through “Lady Lazarus.”
Sylvia Plath applies the heavy use of irony in her poems. An example of this is in “Lady
Lazarus” in a line in the seventh stanza; “And I a smiling woman, I am only thirty, and like the cat I
have nine times to die.” (Plath) She imagines of dying again but instead of this causing her grief
grief, she portrays that she is always happy. Another instance is when she says; “Dying is an art,
like everything else, I do it exceptionally well.” (Plath) She declares that she performs the art of
dying very well but ironically, it is evident that she is still alive. Furthermore, this is the case in
“Daddy”. “Daddy, I have had to kill you, you died before I had time.” (Plath) It is ironical that she
says she would have killed her father and yet claims that she wants to bring him back to life; “I
used to pray to recover you.” (Plath) Moreover, the persona portrays irony when she speaks about
her fear of her father “I have always been scared of you” but it is clear that she still wants to be
with him, “At twenty I tried to die, and get back, back, back to you.” (Plath). Evidently, Sylvia
employs the use of irony in both her poems.
On looking at the two poems, “Daddy” and “Lady Lazarus” Sylvia is seen to be overly
critical of the community. First, she questions gender issues that have existed in the society since
time immemorial. That is evident when she comes up with a female Lazarus, which is a show
that if a male could rise from the dead, then a female too could. Besides, Sylvia refers to
Germany as a “he” in “Daddy,” which is contrary to what most people use to refer to nations
(“she”). Therefore, Sylvia comes out as gender neutral in her two poems. Additionally, Plath
portrays war as something bad, and that should never be tolerated in the community. She views
war as a source of death. “Death” in her poetry could be either literal or symbolic; that is, it
could be physical death or imply undesired outcomes. For instance, in “Lady Lazarus,” Sylvia