Surname 2
both as a social entity and a being with a soul and the representation of a person’s daily life
affairs (Simons and Anton 1). The main character in the novels is outstanding and convincing
and set a solid foundation that makes Defoe to be credited with being the first author of
realistic fiction (“The Novel” 1). During the same period, another writer, Samuel Richardson,
introduced the first “novel of character” (“The Novel” 1). His two works, Pamela and
Clarissa, are both characterized by the presentation of emotions that connect a reader to the
main character in the novel. Both Defoe and Samuel are regarded as the greatest writers who
established their claims, not on myths, but on actual experiences of individuals (Gascoigne
4).
The focus on fiction started changing. An important date in the history of literature is
1764 which marked the beginning of a different direction of English culture. The rise of
romanticism had begun, which put more emphasis on nature, and values imagination more
over reason and emotion over intellect (Taormina 3). The first Gothic novel whose emphasis
was suspense, terror, exotic setting and effects, was published in the year 1765 (Taormina 3).
The gothic novel, The Castle of Otranto (1765) whose author is Horace Walpole, achieved
significant success and marked a shift in the people’s taste towards the exotic, extraordinary,
and violent passions, towards the romanticism movement, adumbrations of which could be
evident from the late 18
th
Century. Another early sign of romanticism was evident in the
novel Vicar of Wakefield (1766), which also put an emphasis on horror and romance.
The peak of Romanticism was realized in the first decades of the nineteenth century.
The greatest writers of this period, mainly attributed to publishing numerous romantic poems,
were John Keats, Percy Bysshe Shelley, William Wordsworth, Lord Byron and Samuel
Taylor (Taormina 3). Their emphasis was mainly on the imagination of an individual as the
right way to achieve truth. Another author during the romantic era is Scott who changed the
novel as an act of self-defense (Gascoigne 1).