Korean Landscape Painting

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Reviewing Korean Landscape Painting
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Reviewing Korean Landscape Painting
Since historical times, art has played an important role in the lives of populations.
Through art, populations were able to express themselves as el as preserve their culture. This was
vital for future populations because it was used to revolutionize their general wellbeing. In this
regard, most of the populations basically improved on the artistic features that previous
populations had developed. Put differently, the respective artistic works acted as a basement
upon which future populations further developed and shaped the culture, beliefs and so forth. Art
was also instrumental for providing entertainment to the respective population. The relative
artistic works were undoubtedly pleasant to the eye and signified different facets of the society.
Unlike other society that specialized in diverse forms of art, the Koreans are popular for
landscape painting. The Korean landscape paintings were very diverse and besides reflecting
their religious perceptions and political significance, they portrayed different cultural practices
and how these were important in helping them to cope with wide ranging problems and
challenges.
Essentially, landscape painting portrays the general scenery of the world in its natural
form. This is done from the point view of the artist and therefore different artistic works depict
varied features. It is widely agreed that most artists place great emphasis on the beauty of the
object or aesthetic value of the environment. For this reason, most artists try to capture the most
fleeting moment of that artistic work in both space and time. In essence, they generally co-create
what has been initially created by the God. Although most nature paintings contain some
manmade facets, the natural aspects are given more consideration by the artists. Other elements
that are depicted in such paintings include flora, fauna, light and darkness. Color in this regard is
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usually not very important because even without it, artists are able to exhibit their skill and
knowledge.
Historical evidence ascertains that in Korea, landscape painting was more popular than
the figure painting or other forms of historical painting that characterized the western art. This is
attributable to various factors that influenced the general wellbeing of the populations in
different ways. To begin with, Wong indicates that the Koreans placed great emphasis on
landscape painting because they considered the land as well as nature to be sacred (45). In this
regard, the Koreans considered nature to be important for nurturing human life. Not only did it
provide human with food, but it also provided populations with water and medicine. For this
reason, they considered it to be essential for human survival. Undoubtedly, nature in this regard
played a leading ole in enhancing human survival. Expressing it through art was therefore
considered an important way of appreciating it.
Then, the Koreans associated nature with spiritual and religious beliefs and practices.
According to Ch’oe, the Koreans considered nature to be akin to supernatural powers (33). They
closely associated it with the Higher Power because f its characteristic diversity and might.
Historical evidence indicates that similar perceptions were also shared by Japanese and Chinese
populations. Nature in this regard was considered to be integral to human survival and therefore
needed o e treated with utmost respect. From an artistic standpoint, transferring natural features
to two dimensional surfaces was considered not only challenging but also noble. Thus artists
derived immense satisfaction from developing landscape painting. To a great extent, this can be
used to explain why landscape paining gained prominence amongst the Koreans.
Korean also associated their art with important philosophical ideas and practices. In his
research, Newlands indicates that neo-Confucianism and Confucianism that was adopted from
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China greatly influenced the Korean landscape painting (51). This philosophy postulated that
humans were responsible for developing humility and intellect. From the point of view of art,
this implies that figurative painting was basically secondary and id not need to be pursued at the
expense of nature painting. Likewise, the physical body of humans as well as historical
occurrences was also considered to be secondary and therefore was not held in high regard.
Reportedly, landscape painting was considered by the populations to be a way of
exploring and expressing intellect that was beyond human understanding. The respective intellect
was perceived to be divine and more complex to the extent that it could not be understood by
humanity. Politically, this was important in enhancing harmonic living. Political leaders placed
great emphasis on humility and took immense measures to further the welfare of the populations.
In addition, they took practical measures to improve their intellect in a bid to enhance their
performance. Thus though art, they were able to enhance the holistic wellbeing of the
populations without compromising important religious as well as cultural values. Furthermore,
populations took this opportunity to improve their wellbeing as well as secure their future. In
essence art in this regard played an important role in enhancing sustainable living.
Landscape painting was also employed by the rulers to assert their political power. In this
regard, Newlands indicates that moat of the elites and political leaders held landscape paintings
in high regard (61). Thus after a period of time, power was closely associated with art.
Individuals that had the respective paintings were considered to e both powerful and influential.
The political leaders thus used themto assert their positions in the society. Although the
respective artistic works were available to different facets of the population, certain iconic art
such as that of the Buddha were in most cases owned by individuals with higher social ranks.
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Landscape painting was also very important within the Buddhist religion in different
ways. According to Kim, Buddhism was a religious philosophy that was held in high regard by
the Koreans (330). This was because it provided humans with guidance with respect to how they
can live in harmony and eternally. Besides making figurative sculptors, the Koreans also adopted
landscape painting in their religious life. Landscape paintings were used for decorating religious
and worship areas. The Buddha paintings were in most cases contextualized within a natural
setting. This is because of the divine importance that they attached to the Buddha. Artistically,
placing the painting of the Buddha in a natural setting was a noble undertaking.
The landscape paintings also depicted the historical Korean cave that was at the center
stage of relative worship (Ruskin 44). Furthermore, nature paintings in worship were important
in stimulating meditation that is an important aspect of worship. This is because it reminded the
individuals about the importance of divinity in worship. Its mere presence was instrumental in
enhancing and encouraging assumption of important values and virtues.
According to Ch’oe, the inherent tranquility in the landscape painting was important in
enhancing the psychological health of the populations (51). In particular, they trigger a feeling of
calm and relaxation of the body, soul and spirit. When translated to human actions, this implies
that landscape painting fosters harmonic co existence. Individuals that are at peace with their
bodies and souls are unlikely to engage in disruptive behavior. To a great extend, this enabled the
Korean population to address their emotional problems. Through art, they were able to express
their distressing feelings without compromising the quality of their lives. Art from this point of
view enabled them to participate in more rewarding activities at all times. In other words, they
succeeded in preventing conflicts as well as their escalation.
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As it has come out from the study, landscape painting that was practiced by the Korans
was politically, economically, socially and culturally rewarding. Notably, the respective
populations associated it with religion and considered it to e sacred. This perpetuated its
exploration especially considering that most artists considered its pursuit a noble idea. Landscape
paining was apparent in Buddhism as the relative art woks were employed in worship and placed
at places of worship. In this regard, they encouraged meditation that was an important facet of
Buddhist worship. This art also enabled the politicians to assert their political status. As
aforementioned, thy enhanced objective governance as leaders associated it them with intellect
and humility. Psychologically, their tranquil nature encouraged harmonic co existence. This was
also useful in eliminating conflict and preventing their escalation. In essence, landscape painting
played an important role in enhancing the productivity and holistic wellbeing of the Korean
society.
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Works Cited
Ch'oe Wan-su. Korean True-View Landscape: Paintings by Chông Sôn (16761759). London:
Saffron Books, 2005. Print.
Kim, Kumja Paik. "Chong Son (16761759): His Life and Career." Artibus Asiae 52 (1992), pp.
32941. Print.
Newlands, Anne. Canadian Art, From its beginnings. Firefly Books Ltd., 2000.
Ruskin, John. Modern Painters, Vol. 3 Of Many Things. "Of the novelty of landscape." Adamant
Publishing, 2000. Print.
Wong Wucius. The Tao of Chinese painting, Principles & Method. Hong Kong: Everbest
Printing, 1991. Print.

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