LARS AND THE REAL GIRL 4
situation and immediately yelled at Lars: "I don't want to think about who is because we are busy
every day, pick her up and go there, arrange her trip, all because of you.”
What the folks did for Bianca was done for Lars. Lars is finally not evading his negative
emotions and gradually dares to use fierce quarrels as a means of communicating with the
outside world. Slowly, his performance is like a "real person” (Gillespie, 2007). Bianca
projected the character of a part of Lars itself. Her appearance is also Lars' self-consciousness
(Hughes-d'Aeth, 2013). It should be time to cut with the layer. The smile at the end of the film
should be a gift from Bianca to Lars, a grant from the whole town to Lars, tolerance, and
understanding. Indeed, the characters have withstood shame for all that long. From the shame
resilience theory, Lars emerges with the victory. The story may have been a feeling that every
one of us has ever imagined. We are so eager for love, but we are so afraid of being hurt,
quarreling and leaving. So he closed himself and feared contact with others, only for safety, to
prevent himself from being hurt, but the heart was lonely and eager. Only Lars has his fantasy to
have an existing entity. He has a real nightmare for Bianca, just like the one we imagined in our
minds.
The scattered background reveals the growth of Lars. He is a legacy. His father hates him
for taking the life of his beloved wife, but he also loves the continuation of their love, although
perhaps he is not a qualified father. In the identity of Lars, he killed his mother, his father hated
him, his brother abandoned him, and because of his mother's death, he believed that the
relationship between men and women (pregnant child) would bring inevitable tragic
consequences, so he touched him in others. The body felt unbearable pain, so he had the chance
to contact others in addition to the necessary activities, even if he lived in a brother Guss and
nephew Karin. Lars, who was initially satisfied with this, felt the fear and threat when Karin's