Surname 2
scaring away all suitors. The situation makes her desperate for human love that she kills her lover
and clings to his corpse.
The aristocratic position enables her to cover up for the murder, but ironically she isolates herself
from the society and embraces the dead for solace. Through the use of the two literally techniques,
Faulkner creates a seamless but intriguing story through suspense, a jumbled chronology of events,
and narrators shift to emphasize of Emily’s aloofness, the strength of purpose, gratification, the
horrors and contempt of her deeds.
Chronology of Events
The goodness of this story lies in its absence of a chronological form. Although the story’s division
incapacitates it in some manner, the outlook enables a reader to view Faulkner’s like a genius
especially in his unique method of story-telling. The book mentions a few specific dates from
which one can generate a certain sequence of events. For instance, Colonel Sartoris remitted
Emily’s levy in 1894, and by the time that Emily confronted the aldermen colonel had been dead
for more than ten years (Ruthmann 15). Since she dies at 74, these facts can be used to develop a
framework of chronology according to the arrangements of events.
Ironically, the construction of a chronological arrangement in a linear fashion shows the
injustice in the story. Focusing on primary concepts; Emily buying the toxin, the disappearance of
Homer Barron, and the stench coming from the house, it is logical the reason behind buying the
poison and the cause of the bad smell (Ruthmann 12). Sleeping with the corpse makes the killing
frivolous in comparison to necrophilia. The masterpiece of ‘A rose for Emily’ lies not in the
chronology of episodes; it is in the dilemma through which the story is built. Faulkner leaves a
reader horrified as he interprets why the perceived noblewoman is, at last, a fallen monument.