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lecturer, Kant defended the deliberate choice that people make in order to examine what is
known about the mind. Through his works Kant saw the Critique of Judgment (1970) as what
connected his works to the literary or knowledge as is in his book of knowledge, Critique of
Pure Reason.
Plato
Plato loved and hated art in equal measure. Because he talked about art most of the
time, his remarks indicate that paid intimate attention to everything he saw and heard.
According to Plato, arts, was so powerful that it could be used to shape character. He
therefore portends that ideal citizens should be guided and protected by strictly controlling
arts. Plato had a strong influence on western culture, arts, and on the theories of art.
The basic feature of Plato’s theories is that art is an imitation of the reality. This
theory still holds to date as very many people still believe that, paintings are copies of things
with their appearances the same way, as they appear naturally (Davies p.78). However,
during the late nineteenth century the idea art as an imitation started to diminish from western
aesthetics, and was replaced by theories about art as a form of expression and for
communication to help elicit an aesthetic response. According to Plato, art is powerful,
making it dangerous as it stirs up emotions as in dance, poetry, music and painting. Because
of this, it could influence behavior and character. The theorist therefore suggested that it be
introduced in the education system but must be censored to only present what is not
dangerous to them.
Pythagoras’ theory of number mysticism
This was the early concept of the geometric progression whose motivation came about
due to identification of sequences of tones that are as a result of the vibration of a string when
pulled or plucked. The string moves continuously and rapidly throughout its size in
sequences. From this theory, Plato thought that the right tones of music would be that which