Prints, Sculptures, And Ceramics Of Picasso The Genius Of The 20 Th Century

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Prints, Sculptures, and Ceramics of Picasso the Genius of the 20

century

Introduction

No any other artists are more connected with the Modern Art compared to the famous

artist, Pablo Picasso. Picasso fashioned thousands of prints, sculptures, and ceramics during the

time extent of approximately 75 years. The artist is considered as the genius of the 20

century.

Other people consider Picasso as a gifted charlatan. For example, an undisputed is the reality that

is dominated and impacted the 20

century like no any other Modern Artists. Picasso is an artist

born in 1881, Malaga, located in Spain. The artist was the lad of the drawing and art trainer.

Picasso was a bright art student and conceded the entry exam for the Barcelona School of Fine

Art while he was at the age of 14. According to the legends concerning the artist’s life, Picasso’s

father recognized his son’s talent and provided him with palette and brushes for painting purpose

(Srinivasan 89-90). The contextual paper discusses the art of prints, sculptures, and ceramics of

Pablo Picasso, the genius of the 20

century.

During Picasso’s lifetime, he went through different periods with each period having a

distinctive painting style, thus making his art categorized into periods. The accepted periods of

the Picasso’s art are the Blue Period, African-influenced Period, Rose Period, Synthetic Cubism,

and Analytic Cubism.

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The Blue Period

The Blue Period of Picasso’s art is a period that occurred between 1900 and 1904. The

period is regarded as the Blue Period because the artist painted fundamentally monochromatic

paintings applying the technique of shades of blue-green and pure blue. These solemn arts,

stirred by Spain, although painted in Paris, are the most popular arts. However, Picasso got a

difficult moment in selling the works. Afterward, Picasso located to Paris in 1904, after spending

several difficult years with no artistic success and fixed studio.

In 1903, Picasso produced a Blue Period art that reflected his incident of virtual

instability and poverty, portraying street urchins, frail and old, blinds, and beggars. The starting

of the Blue Period was indecisive because the period may have started in Paris or Spain during

the spring of 1901. Picasso selected sober color or sometimes woeful subjects such as beggars,

drunks, and prostitutes during the Blue Period. The artist was prejudiced by not only the journey

through Spain but also by the death of his friend, Carlos Casagemas, a friend who shot himself in

the temple in 1901. The artist claimed that he started painting in blue so that he can retain the

justification of his friend’s death. Picasso was realistic to the artistic impacts around the period of

Casegemas’s death. The events of 1901 such as the death of his friend and Fauve artistic works

had essential effects in the paintings of Picasso (Picasso 2-4).

The artist responded the novel avant-grade advancements of the Fauve painters in Paris

through discovering novel paths and establishing the ground-breaking styles. His depression did

not come to an end with the start of his Rose Period that succeeded the Blue Period. During this

period, Picasso’s paintings had the pink color that dominated his paintings. Picasso painted the

portraits of his friend, Casegamas, concluding in the depressing symbolic painting, La Vie that

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was painted in 1903. Currently, the La Vie and the sculpture of his friend are at the Cleveland

Museum of Art. The similar mood permeates the renowned etching, The Frugal Repast that was

painted in 1904. The Frugal Repast depicted a sighted woman and blind man (Picasso 8). Both

paintings of a man and woman depicted the emaciation of the individuals, seated at the nearly

uncovered table. There are some themes evident in the Picasso’s work. For example, blindness

and sightedness are some of the themes that were represented in The Frugal Repast. The same

themes were represented in The Blindman’s Meal and in Celestina’s portrait that was painted in

1903. Other famous subjects in the Picasso’s paintings included mothers with children and

female’s nudes. An essential impact on the artist’s Blue Period paintings and sculptures was his

appointment to the prison that belonged to the woman. The prison’s name was St. Lazare,

located in Paris and nuns were serving as guards. Besides, Picasso painted two sisters to depict

the reality of Christians with the color blue to symbolize Mary, the Mother of God.

The Rose Period

The Rose Period was the shortest period in the Picasso’s art. The period occurred

between 1904 towards the end of 1906 and fairly irregular (Picasso 3). A large number of

sculptures were painted with the bright color during the rose period. During this period, new

topics such as athletes, acrobats, and actors became famous. The Cirque Medrano, situated at the

bottom of the Montmartre hill provided various materials for the Picasso to paint or make

sculptures of different images. The Melodrama’s manifestations depicted in the Rose Period had

various people, ugly, beautiful, adult, and young. For example, the acrobatic paintings showing

Mother and Child and Seated Nude were some of the paintings depicted in the Rose period. The

sculptures were painted in 1905. The Picasso’s Two Nudes represented in the Rose Period were

painted in 1906 to show the interest of the artist in the classical form. The sculptures of the

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young men and women such as La Toilette and a Boy Leading a Horse depicted the rare stillness

and the beauty in the arts of Picasso that connects into the conventional artistic of beauty. Lastly,

the 1906 voyage to Gosol, located in Spain, gave momentum to the artist’s novel efforts. The

Self-portrait depicting the face struggling to be the mask is the ceramic affirmation of the fact.

The African-influenced Period

The African-Influenced Period occurred from 1907 to 1909. This period was also

regarded as the Black Period or the Negro Period. As Henri Matisse displayed his art of The

Dance in 1909 and his Blue Nude in 1907, Picasso opposed with his art that became one of the

foundation stones of his celebrity. Currently, we understand the work as the Les Demoiselle

d’Avignon. Picasso started to slot in the African impacts into his artistic work in the work of the

Les Demoiselle d’Avignon. Before the artist begun the Negro Period, Picasso came into contact

with some prehistoric Iberian sculptures that he possessed from the associate who had embezzled

from the Louvre Museum. The Les Demoiselle d’Avignon depicted the sculptures of the faces of

three women on the left based on the Iberian sculptures. Picasso avoided monotony in the

sculpture by including two faces of the woman in the right. The paintings that lasted from 1907

to 1909 were based on the African art. The artist accredited that his appointment to the

Trocadero Museum transformed him, but he did not give the reason of not crediting the African

art. Some of the African art found in the Trocadero included the Works of the Rembrandt and the

wonders of the world, regarded as the pyramid of the Giza (Carrick 84-86).

The Analytic Cubism

The analytic period lasted from 1909 to the middle of 1912. During the analytic period,

Picasso introduced specific characteristics and shapes that represented the who ceramic, person,

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or object. For example, particular parts of the violin can be seen to depict the whole object

observed from various viewpoints. Also, Picasso painted pentagons during the analytic period to

representing the bridge, short lines depicting strings, typical spiral knot with various pegs to

depict the neck of the violin, and S curves representing the “f” holes. The period was regarded as

the analytic cubism because it involved the development of signs that were used in the analysis

of objects in space. Besides, the artist regarded Analytic Cubism as the Hermetic Cubism

because the artist found that it was nearly impractical to identify the images (Carrick 85-87).

However, the images may be present no matter how they are distorted. Picasso best described the

Analytic Cubism as the period of analyzing objects, angles, lines, and geometric shapes.

The Synthetic Cubism

The Synthetic Cubism is a period that took place between 1912 and 1919. The period

established from the Analytic Cubism under the development of George Braque and Pablo

Picasso and later copied by Salon Cubists. Picasso realized that through the replication of the

“analytic” signs, his art work will become not only generalized but also geometrically flatter and

simplified. The overlapping of the planes for a while shared a single color. The actual pieces of

papers substituted flat paintings of paper. Also, during the Synthetic Cubism, the real scores of

music substituted the musical notation. Other objects such as playing cards, fragments of the

newspapers, advertisements, and cigarette packs that were painted or actual associated on the

even plane of the prints as the Picasso attempted to accomplish the total understanding of art and

life. The discovery of the collage that integrated fragments and signs of the actual objects is an

example of the aspects of the Synthetic Cubism. Still Life with Chair Caning is one of the first

Collage’s sculptures. Collage’s sculpture was created in 1912 by Pablo Picasso (Carrick 88). The

Synthetic Cubism period occurred even during the Post-World War I time, thus influencing other

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century artists such as Romare Bearden, Hans Hoffman, Jacob Lawrence, and among other

artists.

Conclusion

Based on the various sculptures, paintings, and ceramics discussed, we can conclude that

Pablo Picasso was an influential artist of the 20

century. The artist discovered Collage and

made key contributions to surrealism and symbolism. Various people appreciate the work of

Picasso since the artist was an influential painter. Picasso discovered regions that had diverse

ceramics and printmaking, thus opening a way for the other painters who could use his technique

in accomplishing their artistic works. Finally, the artist can be considered as a charismatic person

as depicted from his relationship with women in the paintings. His relationship with women in

the paintings identifies his artistic work and his behavior to exemplify his current bohemian artist

in the accepted imagination.

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Works Cited

Carrick, N. Art History: Special Periods. Dewey Class 709; How to Find Out About the Arts.

1965. p. 83-88. Print.

Picasso, P. The Art Story: Your Guide to Modern Art. Print. http://www.saylor.org/site/wp-

content/uploads/2012/02/ARTH208-3.2.2-Pablo-Picasso.pdf

Srinivasan, A. World Famous Artist. Sura Books. p. 89-92. 2004.

https://books.google.co.ke/books?id=IXvcvv1Fnw8C&pg=PA89&lpg=PA89&dqbl&ots

=qXCkiEBp0P&sig=1VlgFGjOgsetO4jdzyNMIl-

YEKk&hl=en&sa=X&redir_esc=y#v=onepage&q= &f=false

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