The Chimney Sweeper Persuasion

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The Chimney Sweeper Persuasion
Introduction and Thesis Statement
The narration of the “chimney sweeper’ is done by an actual chimney sweeper, who
begins by narrating their experience through his own life story before introducing us to a second
chimney sweeper; Tom Dacre. The sad mood of the poem lightens up as the poem progresses
through the dream of Tom then turns back back into the mood of the unhappy, as the lifestyle of
chimney sweeping is reintroduced. The sweeper’s mother died while he was young and his father
sold him before his ‘tongue could scarcely weep” so all he does is sweep chimneys. Why would
a child be sold into ‘slavery’ and what would explain the appearance that the chimney sweeper
has accepted his unfortunate fate? The importance of this poetic song goes beyond the music of
its rhymes in words like “sleep” and “weep.” The message, especially in the opening few lines
that introduce the reader to the life of a childhood sweeper are supposed to be by generations to
come. The skills of literature employed by Mr. Blake are very good too. The purpose of this
piece of writing is to evaluate this poem so that Mr. X. J. Kennedy sees the importance of the
poem to the book he is editing. To Mr. Kennedy, kindly read my letter and keep the “chimney
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sweeper” in the Literature: An Introduction to Fiction, Poetry, Drama, and Writing because the
future generations need to read the styles and themes in it.
Discussion
It is rare to find a poem whose musical tone is set in the first line of stanza one and is
maintained throughout. This is a piece of art which can be read, studied and understood even by
fans who do not have a broad background in poetry. The musical attributes of the poem are clear
and make the reader focus on its creative properties first, before the themes and contents.
Example is how “mother died…very young” are used together to make the sound have the flow
of the music art. The reasons for excluding this poem, therefore, from your collection, Mr.
Kennedy should be considered again, considering the creativity in composition of the same
before making a decision
The use of writing styles in this poem is positively surprising from start to finish. Nearly
every stanza has a style or two, either literary or artistic. The style of metonymy is used in stanza
one where the inability to speak up is replaced with “scarcely cry.” There is a long list of
instances, like the simile comparison between the hairs of Tom to a lamb’s back in stanza two,
the imagery of the black coffins in verse four, the irony of no harm coming to the sweepers and
the slant rhymes of lines 21 and 22 (In Kennedy and In Gioia). There is need to notice, especially
Mr. Kennedy, that making the beautiful use of writing styles as used by Mr. Blake is a rare
occurrence, an achievement only a few composers can get and hence the need to put the poem up
for readers who are lucky to access the editorial work you pursue. Secondly, for his image and
benefit as an editor, the work he composes would attract more readers, especially the poetic
specialists who read poems to study the skills put into writing rather than the works of literature.
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Mr. Blake has focused on themes which are of particular importance to the society as a
whole, including the poets. What the first of the themes Blake brings out is childhood poverty
and its impact on the life of children. When the sweeper is sold at an infant age, this most likely
is a result of the few options available to him and the father. The sweeper ends up in manual
labor at a tender age, which makes him accept the conditions around him, without having any
option.
The other themes advanced by the writer include exploitation, the social inequality and a
discussion of religion. The exploitation comes in the form of conditions around which the
sweeper and Tom do their dirty chimney sweeping jobs. They are clothed in the “clothes of
death” and ascend to heaven white and clean, an apparent euphemism for death. This, however,
is in a dream from which he wakes to return to sweep the chimneys. The social inequality theme
is driven by the ‘masters’ of the chimney sweeper when he sings toward the last stanza of how
the masters think they have done him no injury because he can play and sing. The religious
theme is presented in the mention of God, twice. The first instances have the sweeper and Tom
presenting God as a father figure who would take care of them through the troubles. Towards the
end though, the pair sees God as a hindrance to their ability to break free of the chains of their
master’s authority.
The ability to bring out themes in a piece of literary work is the lifeline of the said pieces
of literature (Yashin). The ease and perfection with which Blake shows the apparent ills of
societies, using the poem of the sweeper is a strong point, arguing against the exclusion of the
piece from the collection edited by Mr. Kennedy. There is need to consider, seriously, the weight
of the contents of the poem, considering the musical and artistic attributes, however attractive,
can only take a poem so far.
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Conclusion
The reasons for excluding the poem would not be as weighty as the reasons this paper
argues with for the inclusion of the poem. Though not clear why, it would be a social, poetic and
artistic injustice to the society of poems, were the ‘chimney sweeper be excluded from the
editorial work of Mr. Kennedy. This poem would present an opportunity for upcoming artists to
see the excellence in writing as shown in the work done by Mr. Blake. The mixture of artistic
and poetic skills is a common form of excellence in poetry.
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Works Cited
In Kennedy, X. J., and D. In Gioia. Literature: An introduction to fiction, poetry, drama,
and writing. 2016.
Yashin, V. N. "“The true face of the work”: sovereignty and literary form in literary
historiography." Middle Eastern Literatures, vol. 20, no. 2, 2017, pp. 162-176,
doi:10.1080/1475262x.2017.1342445.

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