Thomas Hine

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“What’s in a Package” by Thomas Hine
How ‘Victoria’s Secret’ Uses Packaging to Create, As Hine Puts It, “A Personality, An
Attitude toward Life”
Thomas Hine begins his piece of an inscription by questioning how people feel about
going into a shopping store. The author generally points out the issue of how package affects
people’s thinking of a commodity and talks about how the packages vary from one culture to
another. “What’s in a Package” backs up the culture part of the writing by claiming that people
all over the world have distinctive and divergent expectations from their businesses (Para 1). The
scholar continues by talking about how packaging is a promise of having the best quality to its
consumers. Thomas Hine furthers his argument by writing about the package, and the way
packaging can be comparable to a previous one to remind users of the past situation. What is
more, Hine mentions that this contemporary era has its special kind of packaging, which meets
the expectations of the people. The writer shifts his subject matter to how packaging can be
important in people’s lives: their businesses inclusive. In relation, a study conducted on
Victoria’s Secret trends indicated that the store has turned out to be the only name that matters in
lingerie through its packaging trends. The store packaged its clothing labels, cologne, bags, and
so forth, outstandingly and created an image for itself and its consumers through packaging,
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which brought out “a personality, an attitude toward life,” as demonstrated by Thomas Hine
(Para 1). Primarily, this discussion involves how the packaging of the store’s products affected
the way I bought the products.
To begin with, Victoria’s Secret store played soothing music, which apparently facilitated
the conversation between sales representatives and the buyers. Indeed, the pacifying music
facilitated my discussion with the sales reps as soon as I stepped into the lingerie store. The
music placed me in a buying mood and made me spend more time in the store, look at the goods,
and complete a purchase (Para 2). Victoria’s Secret seemed to be conscious of the need to do
everything within its means to ease the clients into the mood of acquiring the products. By
choosing the right tunes, the store encouraged all buyers to feel happy, confident, and positive in
their purchases. What is more, Victoria’s Secret used genre, volume, and tempo and combined its
selections of music with suitable sensory influences. As one of the customers who walked
through the doors of the store, I can confirm that the soothing music increased my spending habit
(Para 2).
Victoria’s Secret never used music only to influence purchasers. The store as well
appealed to the visual pleasure of customers by arranging commodities in an aesthetically
pleasing and easy to find manner. The sales representatives encouraged the shoppers to spend
more time shopping and browsing. In addition, they engaged the tactile sense of consumers by
encouraging them to touch the existing goods. Perhaps this was an idea to make us pick the items
up with the intention of influencing us to want to take carry them (para 3). By listening to the
soothing music, which I liked very much, I felt like I had a positive experience with Victoria’s
Secret. I enjoyed myself listening to the music regardless of the setting and my time at the store
became automatically enjoyable, resulting in an apparent increase in the value of my time
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therein. In fact, I never minded even waiting a moment or two considering the fact that the store
provided excellent tunes.
Another observation made at Victoria’s Secret store was the strong emphasis placed on
customer service. As a person, I took care of the organization and its sales representatives
because they took care of me. The workers kept the customers in the first place and created a
good experience for us that I will never forget. Maybe, the company considered customer service
as an important aspect of trade in our loyalty to and choice of the existing brands (Para 2). The
sales representatives made customer service better at the store by making sure staffs were
available to purchasers when needed. Furthermore, they offered knowledge and never pushed
their services and products. The staffs educated us and gave us the time to choose for ourselves,
with our personal needs in mind, instead of pressurizing any of us to purchase. Then again, they
encouraged consumer loyalty with a program of reward. I also felt appreciated and valued as
each of the sales rep that attended to me said: “thank you.”
On the losing end, Victoria’s Secret carefully engineered the ambiance of the store.
Without a doubt, the ambient smells and sounds made me less careful with my money (Para 3). It
seems that the management impelled in the smell of an apple pie with the intent of increasing the
sales of the available commodities. Besides, the store placed flowers in front of the main
entrance, which was undoubtedly attractive to customers, particularly women, by their nature.
Just as the songs played in the store, the flowers as well had a soothing effect. When I got into
the store, I came from a busy setting, and the flowers were my first temptation as a buyer. That
withstanding, Victoria’s Secret focused on premium packaging for all its products. The company
used different qualities of pink with attention-grabbing packaging, each distinctive in design and
style. The pink color seemed to create a sense of urgency, which encouraged consumer appetite
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for the products. What is more, the color was cheerful and appeared to target the promotion of
customer optimism (Para 4). I felt more energetic on seeing the pink color, which evoked better
reactions and responses from me as a potential consumer. As well, the products were simple,
pretty decent, attractive, and easy to handle. Such display of products appeared to reveal the
active relationship between packaging and its meaningful cycle in the society as demonstrated by
Thomas Hine in “What’s in a Package.”
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Work Cited
Hine, Thomas. The Total Package: The Secret History and Hidden Meanings of Boxes, Bottles,
Cans, and Other Persuasive Containers. Boston: Back Bay Books, 1997.

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